Katin Images Travel Photography

Travel Photos, Travel Photography Tips and Software

Tag: technique

  • The Camera Features Ultimate Guide

    The Camera Features Ultimate Guide

    The Camera Features Ultimate Guide

    There are so many features now on a camera that its’ both mind blowing and confusing.

    The TV Analogy

    When we were in the market for a new TV, we discussed all the different features and benefits with retailers.

    By the time we had finished we were totally confused. Salespeople in different shops seem to tell us something different about the same TV.
    For example, one would say this TV doesn’t have Freeview plus, whilst another would say that it does.
    In the end, I researched on each manufacturers website. I even rang them to ensure that the information I had gathered was accurate.
    After doing that we went and bought the TV we wanted.

    If you are in the market for a new camera check out Buying a new camera? Then read this
    and Buy a Camera in 15 minutes with these 5 Questions

    Camera features intro

    So, what about Camera features? Well compared to TV’s there are way more things to think about.

    In my opinion there are too many Camera features that are not needed!
    This article is to help you navigate the different Camera features.
    I’m going to suggest some essential camera features you need to consider having.

    Either when you are in the market for a new camera or mobile phone or that you should review on your existing camera.
    This article consists of 4 sections:

    1. The single essential camera feature you must have
    2. Four Camera features you need
    3. Eight Camera features to have
    4. Six Camera features you don’t need

    After each Camera feature is a rating out of 10 – 10 being must have.

    The single essential Camera feature you must have

    The Camera Features Ultimate Guide

    So, let’s start with absolute must!!

    Mechanical Exposure controls

    Usually on most cameras there are a P, A, S and M modes.On small compacts there usually is only a P mode.

    On smartphone cameras, even the best ones, they don’t yet have the option to adjust the exposure the “old fashioned way”.
    So what’s with the “old fashioned way”? Well without going into a great deal of details on how a camera works, I’ll explain:
    All cameras have an aperture and a shutter. Both allow light into the sensor but in different ways.

    The aperture allows in light by changing the size of its hole, the shutter allows in light by the speed of its movement.
    Having the option of being able to control both or at least one of these is one of the keys to getting great photography.

    What do all these letters mean?

    P stands for program and is a more sophisticated way of shooting in auto. The camera decides which aperture and shutter speed to use.

    However the difference is that you can also weigh in by using what’s called in the industry “shift”.
    A stands for aperture priority and S stands for shutter priority. In both these modes you control one whilst the other one is controlled by the camera.

    Most pro photographers depending on their specialisation will shoot in aperture priority.
    M is where you have complete control. You set both the aperture and the shutter speed.

    This is not something a beginner would dabble in until they have got some experience with the other modes

    Confused? Let’s go into more detail

    If you want to take a photo of a subject with all the background blurred then you would need to adjust the aperture.
    If on the other hand you want to take a photo of movement.

    Let’s say, a dancer practicing or performing then you would more than likely want to adjust the shutter to capture the type of movement you want.

    That can be blurred motion or freezing the action.
    So, it’s handy to have that degree of control.

    What’s that you say? You’re only beginning so you only need auto!

    That’s fine. However I would suggest that if you want to create images that you can be proud of, then at some time in the future you will need more control.

    The ISO factor

    One extra control that goes hand in hand with exposure is ISO adjustment.
    In fact, the aperture, shutter speed and ISO make up the exposure triangle.
    That is to say that the adjustment of one affects the other two.
    With each camera manufacturer trying to outdo each other, the ISO on a top end DSLR can now be adjusted to over 400,000.

    Which is crazy, as now the camera can take pictures in the dark!
    When you change your ISO setting, you’re adjusting your camera’s sensitivity to light.
    ISO settings are normally anywhere from 100 to 10,000 (or higher). These numbers have a direct relationship with the sensor’s light sensitivity.

    Therefore the affect both the aperture and shutter speed. so a low setting means you need more light whilst a high setting needs less.

    Rating: A or S is 10/10

    Four Camera features you need

    Drive

    The Camera Features Ultimate Guide

    Drive selection is the option to select single, continuous or timer shooting.
    Single is one shot each time the shutter button is pressed.

    Whilst continuous can be anything up to 15 frames per second (FPS) which is great for action pictures.
    The self-timer option is great for selfies. It’s also handy if the self-timer has two intervals.
    For example, a short, say 2 second, interval can be handy to use if on a tripod in low light instead of using a remote cable or wireless device.
    One thing to be aware of is that cameras these days are really mini computers.

    So sometimes there can be a lag if you shoot in continuous, especially in Raw format due to the larger file size.
    Drive selection is standard on most cameras.

    Rating: 10/10

    Bracketing

    I mentioned earlier that I’m a champion for getting the shot right first time in the camera, well bracketing helps this.
    Bracketing allows you to automatically take 3 shots of the same subject at different exposures, usually by one or half a stop each. I.e. aperture and/or shutter speed settings.
    You take the shot at the setting you think is correct and the camera will adjust the exposure settings for your next 2 shots to make those images lighter and darker.
    Handy when taking images of scenes or subjects where there is a lot of contrast.
    Some cameras allow you to bracket at different ISO, white balance and flash settings. Apart from the flash option these are a little superfluous.

    Rating: Exposure bracketing 8/10 ISO, white balance and flash settings 3/10

    Viewfinder

    In the early years of digital cameras, very few had viewfinders.

    Camera manufacturers thought that everyone would migrate to the rear screen or monitor on the back of the camera.
    However, the exception to the rule was the DSLR which retained the optical view finder.
    Nowadays Electronic Viewfinders have come into their own and very good they are too.
    Why use a view finder at all?
    Why not the rear monitor?
    Well 3 reasons come to mind

    1. Camera shake is reduced. Holding the camera out from your body means it is a lot harder to keep still.

    2. Competing light. Ever looked at the rear screen on a sunny day? You can’t see a bloody thing!

    3. Battery power. An LCD screen will always use a lot more power than a viewfinder either optical or electronic.

    But there are viewfinders and there are viewfinders.
    Make sure it feels comfortable. The frame should be 100% not have any cropping, has a central view i.e. as if you were looking through the Lens.

    Rating: 10/10

    Shooting and viewing videos

    This is usually on most cameras and is the rapidly becoming the number one medium on social media.
    This is a whole article on its own so I won’t go too deep.
    I would say that at this stage the only recommendation is to ensure that the camera shoots in high definition (HD) at the minimum.
    A lot of cameras are now able to shoot in 4K but like 3D there are still limitations on being able to view 4K videos.
    That will change as it’s only a matter of time until 4K TV’s and Monitors will be more common as the price drops.
    Unfortunately, the image and video quality available is not yet matched by the audio quality that comes standard with most cameras.
    So, make sure you buy a good microphone that’s compatible.

    Rating: 10/10

    Eight Camera features to have

    Being able to turn off Flash.

    Controversially I used to rarely use flash, preferring natural light.
    Yet the degree of control some of these cameras allow you to have over flash means that it can be used to enhance daylight and improve the image.
    Because of this, I use it more and more these days.
    There are options to use flash in several different ways, Fill in, Slow, Red Eye reduction, Auto, Off or On etc.
    But it’s the option to be able to turn it off, especially if the camera comes with an inbuilt flash, that’s so important.
    Speaking of inbuilt flash. Avoid using them as much as possible.
    The ideal flash should be off camera. Something I’ll discuss in a future post.

    Rating: On camera flash 4/10. Turn off flash 10/10

    Focus targeting

    The Camera Features Ultimate Guide
    Like most cities in the USA, Anchorage has a big fourth of July parade. This one was in 2012


    Another option again almost universally supplied is focus targeting.

    Looking through the viewfinder and/or the rear screen you can bring up a rectangular or square grid of around 30 boxes that you can select to use as a focus target.
    Options usually include single, selected groups or all targets.

    Rating: 6/10

    Exposure Compensation

    Exposure compensation is great!

    The ability with just a twist of a dial to alter the exposure or brightness without having to alter the aperture or shutter speed that you’ve already set is very handy.
    Of course, it does adjust something so it should only be used for small incremental changes.

    Rating: 10/10

    Metering

    Metering, whilst another handy option to have, is not used much.
    I think that’s because it’s not understood by most camera buyers.
    That too is a post for another day but suffice to say it’s a must have for the future.

    Rating: 7/10

    Image Stabilisation

    The Camera Features Ultimate Guide
    The street art act, Dream State Circus at the Street arts festival in Fremantle, Western Australia. the festival attracts over 100,000 spectators over the Easter long weekend.


    Many years ago, I met a photographer who was taking clear and sharp images of wildlife at dusk without a tripod.

    That was my first introduction to image stabilisation.
    Basically, it compensates for camera shake caused by slow shutter speeds and is a must have.
    Initially they were only available on the lens but nowadays most cameras have it inbuilt. So now you don’t have to worry about what lens to use.
    Again, a must have.

    Rating: On camera 10/10

    AEL/AFL Lock

    (Auto exposure Lock/Auto Focus Lock)

    I use this option all the time. The ability to be able to lock your exposure and/or focus is invaluable.
    How does work?
    Well usually there is a button on the camera that allows you lock the exposure and or the focus and then recompose.
    When would you use it?
    In lots of situations Landscapes, Portraits, Products, even macro work

    Rating: 10/10

    White Balance

    What’s white balance?

    Well it’s on every camera these days, so if you leave the setting on auto you don’t have to think about it.

    But (always a but) there are times when auto doesn’t get it right.
    For example, tungsten or fluoro lighting tend to confuse it a bit. That’s when you take it off auto and set it to appropriate setting like, duh, tungsten or flouro

    Rating: 8/10

    RAW Format (Image Quality)

    One phrase that is somewhat misleading is the term “Image quality”. Used for having the choice of what format to use i.e. JPEG or Raw.

    I’m not about to expand too much on what the difference is but if you shoot in Raw then you will need to do some post processing whilst JPEG is mostly ready to go.
    That’s simplifying it but to do the argument justice I like to use a cooking analogy.

    You could say that Cooking a supermarket bought ready to go meal that you sling in the microwave is a JPEG.

    Whilst a meal that contains the raw ingredients you have bought at the local farmer’s market and prepared and cooked from scratch is a Raw file.
    The former is what you see is what you get (unless you can’t cook and cock it up altogether).

    Whilst the latter is a creation that you can manipulate to give you whatever flavour and presentation you like.
    Clear? Another future post maybe.
    Anyway, most cameras will give you the option to select either and/or both and other variations.
    But the option to be able to shoot in Raw is a must, if not to use now but in the future!

    Rating: Raw Option 10/10

    The 6 features you don’t need on your camera

    The Camera Features Ultimate Guide
    Cafe in Lixouri. Coffee drinkers in Lixouris main square

    Interesting in Equipment for Travel Photography? Then check out this
    The basics of camera equipment – Best camera equipment for travel photography


    As you can see I have strong opinion on what you should have on your new (or existing) camera but guess what?

    I have an equally strong opinion on what you didn’t need as well.

    So, let’s get into it:

    Picture Styles

    Pike Place markets in Seattle, Washington, USA


    Often there are picture styles, modes or scenes available and they can be countless;

    Action, Portrait, Landscape, Panorama, Sunset, Candle, Fireworks, Beach & Snow, Fisheye, Wide-angle, Macro etc
    Some models also give you some tips for certain photo genres in the same mode. E.G. “Tips for flower Photos”
    What is often not discovered until the camera is used is that some of these modes, e.g. Fisheye, Wide-angle or Macro need to have lens that support those scenes.
    There is, however, one camera that it’s probably better to have some modes available for and that’s a good smartphone camera, e.g. the Samsung, Google or Apple varieties.

    Most images taken by a smartphone are shared so it can be a shortcut to getting a good image first time.

    Rating: 2/10

    3D

    Here’s a useless option ‘3D Photography’.

    3D TV’s bombed and as far as I can tell there’s not many 3D monitors either, so why would anyone want to shoot a 3D image or video.
    It is used for some specific industries e.g. Computer-graphics, Architecture or Health.
    However, in my humble opinion, it’s useless as it relies on the viewer having the equipment to view it.

    Rating: 0/10

    Multiple Exposures

    Not so useless but not essential is the recording of multiple exposures.

    Multiple Exposures are photographs in which two or more images are superimposed in a single frame.

    If you really want to try this for your travel photography be aware that it is somewhat tricky.
    In fact it’s much easier to do it in something like Photoshop.

    Rating: 4/10

    Digital Zooms

    Digital Zooms are commonplace at the compact level and all phone cameras have it.

    Personally I avoid using them as much as possible and will use an optical zoom over a digital one.
    What’s the diff?
    Well an optical zoom is a true zoom lens. They produce much better-quality images.
    A digital zoom uses some in-camera image processing.

    When you use a digital zoom, the camera enlarges the image area at the centre of the frame and trims away the outside edges of the picture.
    The result is the same as when you open an image in your photo-editing program, crop away the edges of the picture, and then enlarge the remaining portion of the photo.
    By using the in camera digital zoom you lose the information around the crop. Whilst if it’s cropped during post processing you can keep the entire frame for use later on.

    Rating: 2/10

    Face Priority

    My pet irritation is Face Priority. Personally, I think it’s a gimmick.

    Originally in small compacts it’s spread its way into smartphone cameras and now even DSLR’s.
    If you are taking a portrait, then supposedly the camera will aid your focus by detecting the face.

    Rating: 0/10

    Printing

    Printing is on its way back. Whilst the option to directly print from the camera could be handy, it’s also generally restrictive.

    This feature often requires certain functions to be available on the printer.
    At the end of the day, if you are going to do any post processing even if it’s minimal, you should be able to print from that software.

     Another option is to take it to a print shop if you are looking for high quality.
    Of course, you can always use the self-service machines that are everywhere.

    Rating: 2/10

    Conclusion

    Of course, there are other Camera Features not mentioned here. But these are the main ones you will most likely come across.
    As you can see there are lots of different Camera features and I didn’t cover them all.

    But the one thing to remember is it’s not the camera that takes the images, it’s you.
    All features and benefits do is give you more options a lot of which you will never use or use once or twice a year at best.
    A short cut is to decide how much you are prepared to spend, go into a shop and test drive those within your budget, decide on the most comfortable and buy it.
    When you pick it up it needs to feel comfortable.
    Does the weight seem too heavy, too light or, just right?
    If it has a viewfinder, does that fit comfortably against your eye?
    Is the rear screen easy to see? How easy is it to see when you are holding it?
    How easy is it to adjust the dials and access the menu/s?
    Does the grip feel good? Is it easy to turn to portrait or landscape mode?
    That’s what you need to look for in a new camera and to revisit your existing Camera.

    Make your life easier and double check the features on your new or existing Camera by downloading a e-book to Camera Features. Just pop your name in the box below. 

  • The One Big Creative Travel Photo Idea

    Sand trails near Roebuck bay, Broome, Western Australia
    Sand trails near Roebuck bay, Broome, Western Australia

    The One Big Creative Travel Photo Idea

    In this article I’ll be giving you some tips on the best way to give your travel photography some punch.
    Let me introduce you to the one big creative travel photo idea that many journalist photographers use. And you can use it for your travel photos too.
    So, what is this creative travel photo idea – GETTING IN CLOSE

    What does getting in close mean?

    Depending on your lens and camera, getting in close may be different for different equipment.
    But it can be anything from zooming in on a landscape to a good strong portrait to a macro picture of a flower.

    What equipment?

    It doesn’t matter what equipment you have.
    To take macro images i.e. subjects that are 60 – 70cm away, it’s best you have a macro lens.
    But more on that below.
    As I stated in previous posts and in the e-book, that’s available when you subscribe in the form at the bottom, you have to do the best you can with whatever you have.

    Types of “getting in close” images

    Landscape

    Getting in close on a landscape photo seems almost contradictory. After all it’s the big wide-open spaces that you are after.
    But you can get some great shots by getting in close either with a zoom lens or by, if practical, zooming in with your lens.
    Let’s say you are taking some pictures of a mountainous landscape. Sometimes getting in close will give you different perspective.

    Hills near Wanaka in New Zealands South Island
    Hills near Wanaka in New Zealands South Island. Click on the above image to view a larger version and for other options

    In the above shot I zoomed in to compress the hills. Now they look closer to each other than they would appear if I had taken them with a wide-angle lens.
    Other ideas would be to zoom into a particular subject, a tree, a farmhouse or even a Glacier.
    If you are using a zoom lens, then usually you will need to zoom right in depending on your position.

    People

    There’s also a saying in photography, ‘fill the frame’.
    Often when we take people shots they can be too far out.
    I know in travel photography the idea is to get people in the picture, as well as a sense of where they and you are.
    But you can go too far and try to get everything in.
    By filling the frame with people, you cut unnecessary distractions that can leap out to the viewer and spoil that whole photo.
    Often the subjects e.g. people, usually look as if they are from the destination you are in, so you don’t need to have think too much about a sense of place.
    Taking photos of fellow travellers or family can vary in quality. If you think it’s a good picture then does it matter that your photo doesn’t reflect the place you are visiting? I think not.

    Portraits

    Undoubtably portraits lend themselves to getting in close.
    We’ve all seen some of those great photos taken by Nat Geo journalists and other travel photographers.
    If you have permission from the subject, then get in as close as you dare.
    Human faces are some of the most interesting subject matter in travel photography.
    Sometimes it is best to experiment by taking different angles even when you are in close.

    Street

    Street photography is very much its own genre these days.
    When travelling, street photography is an essential skill to develop to get some great shots.
    One way is to get in close.
    If you are in a famous city like New York or Paris, there are so many opportunities to fill the frame. People are the most obvious, which I mentioned earlier. But by also getting in close to activities like festivals or street entertainment, you can create some great angles that can hold the viewers interest.

    Markets

    I love taking photos in markets. And zooming in and filling the frame can capture the feel of a market.
    Whether it be the produce, signs, or people, getting in close is a great way of producing some interesting and varied photos. Some examples are below

    Pumpkin. Portland farmers market, Portland, Oregon, USA
    Pumpkin. Portland farmers market, Portland, Oregon, USA. Click on the above image to view a larger version and for other options
    Pork Pies at one of London's famous markets Borough Markets that is devoted entirely to food.
    Pork Pies at one of London’s famous markets Borough Markets that is devoted entirely to food. Click on the above image to view a larger version and for other options

    Buildings

    How many times do you see a photographer try to capture the outside of a beautiful building with little or no success.
    Sometimes you have to let go of trying to get that great shot of a building and leave it as a record shot.
    Concentrate on the small stuff. A sculpture inset into a wall, a sign, an intricate stained-glass window or a sculpted angle on a building.
    What about shooting the reflection on the building in the one opposite.
    There are plenty of opportunities for getting in close with buildings of all shapes and sizes

    Food and Drink

    I mentioned in Different types of Travel Photography that you can really go to town on food. Individual food items, a mouth-watering artistic dish or getting a close-in angle of a wine bottle label are some examples that come to mind.

    Technique

    So, is there a technique for getting in close? Well sometimes is the answer.
    It does depend on your equipment, position and the position of the subject.
    If you don’t have a zoom, then it means you must move closer to the subject.
    If you do have a zoom, then how far you have to extend your telephoto lens will again depend on its capability and your position relative to the subject.
    But a good technique can be to get in low or get above the subject. Subjects can look a lot different from low or high angles.
    Shooting at your height in close doesn’t guarantee you a point of difference. Another technique can be to take a close in shot, side on. A plate of food for instance looks different close up and side on.

    Sand trails near Roebuck bay, Broome, Western Australia
    Sand trails near Roebuck bay, Broome, Western Australia. Click on the above image to view a larger version and for other options

    Summary

    So, as you can see the one big creative travel photo idea is taking some great shots by getting in close and filling the frame.
    There are several different types of subject matter that can lend themselves to close in shooting. Landscapes, People, Portraits, Markets, Buildings and Food and Drink are ones that come to mind. Try to get different angles as well.
    Getting in low or getting above can produce some satisfying and interesting photos.

    Thanks for reading and getting down this far.

    I have a free e-book that you may be interested in. There’s a form below that you can fill out and send to me and it’ll arrive in your inbox

    Please feel free to make any comment in the comments section below. Or, you can contact me here.